Vol. 1 No. 1 (2022)

View Vol. 1 No. 1 (2022)

Published: 2022-07-25

Editorial

Why and for what: RHINOCERVS - Cinema, Dança, Música, Teatro

João Vaz, Madalena Xavier, Marta Cordeiro, Marta Mendes, Paulo Morais

1-3
- PDF (Portuguese)

Reflection

Ex vadere, walk outside

João Maria Mendes

4-8
- PDF (Portuguese)

Articles

Serenades and Serenins: musical practice and staging of royal power at Palácio da Ajuda in the late 18th century, according to the testimony of a French traveler

Inês Thomas Almeida

9-33
- PDF (Portuguese)
The theater and the city

David Antunes

34-44
- PDF (Portuguese)
Towards a state of the art of contemporary portuguese cinema: contexts, fictions and essays

Mónica Baptista

45-64
- PDF (Portuguese)
Dance and democracy

Maria Manuela Oliveira Barros

65-75
- PDF (Portuguese)
The voice as a place of encounter and inclusion in the performing arts

Sara Belo

76-86
- PDF (Portuguese)
Manuel de Sá Couto, the “Lagoncinha” (1768-1837), exponent of Portuguese historical organaria

Marco Brescia

87-102
- PDF (Portuguese)
Plato’s lesson on gender: androgyny as a search for totality in Hedwig and the Angry Inch (2001)

Fátima Chinita

103-120
- PDF (Portuguese)
Towards a new cinefilia: the film-museum as a cartography of the real

Pedro Florêncio

121-143
- PDF (Portuguese)
Cosmic theater: the moving state of theater

Jose Maria Vieira Mendes

144-157
- PDF (Portuguese)
The object is present

Maria Rocha

158-171
- PDF (Portuguese)
The performativity of the costume: an essay based on the Afoxé Filhos de Gandhy

Fausto Viana

172-190
- PDF (Portuguese)