Vol. 2 No. 1 (2025): Intermedial connections: hybridity in the arts

View Vol. 2 No. 1 (2025): Intermedial connections: hybridity in the arts

Guest editor

Fátima Chinita, Lisbon Polytechnic Institute of Lisbon, Theatre and Film School | researcher at UID ICNOVA

Published: 2025-06-23

Editorial

Introduction: hybridity as an inescapable condition of the arts

Fátima Chinita

1-15
- PDF (Portuguese)

Articles

Playing the media and playing the senses

Chiel Kattenbelt

16-35
- PDF (Portuguese)
Who is there? Performative distance and the intermedial audience in cyberformance

Clara Gomes

36-48
- PDF (Portuguese)
Fiction, reality and digital media art: curatorship as a tool for awareness in sports

Jorge Santos, Mirian Tavares

49-76
- PDF (Portuguese)
Spatiotemporal modality in Here, by McGuire: intermedial connections between graphic novel and architecture

Ana Munari Domingos, Miriam de Paiva Vieira

77-90
- PDF (Portuguese)
Corporeality and Imageness, Intermediality and Intersensuality in Céline Sciamma’s Portrait of a Lady on Fire

Judit Pieldner

91-105
- PDF (Portuguese)
Modular cinema – A film-response from Chantal Akerman to Pina Bausch

Pedro Florêncio

106-126
- PDF (Portuguese)
A choreographical and performative architecture in Body-Buildings’ (2023) intermediality

Alice Duarte

127-149
- PDF (Portuguese)
Undoing borders: a reflection on the expanded field of the walking arts via the artistic walk Imemorial: Passos no Cativeiro

Rui Antunes

150-174
- PDF (Portuguese)
Ethical goals as a criterion of creation. Czechoslovak Theatre on a String in 1980s

Jitka Ciampi Matulova

175-200
- PDF (Portuguese)