The performativity of the costume: an essay based on the Afoxé Filhos de Gandhy
DOI:
https://doi.org/10.34629/rcdmt.vol.1.n.1.pp172-190Keywords:
Costume, Performativity, Afoxé Filhos de Gandhy, Folk costumesAbstract
This essay on the performativity of costume comes from a reflection initiated in the 2020 edition of Critical Costume, an international meeting on costume. I wonder whether performativity begins even before a costume is created, through material and immaterial values, based on reflections proposed by Ligiéro (2011) and Viana and Bassi (2014). The case study to be analyzed in here is the group Afoxé Filhos de Gandhy, from Salvador, Bahia.
Downloads
References
Adeílson, J.. 2012. “História do Afoxé Filhos de Gandhy”. Repertório 19: 215-220. Diponível em https://repositorio.ufba.br/ri/bitstream/ri/13648/1/JJJJJJJJJJJJJJJJJJJJ.pdf.
Barbosa Junior, Ademir. 2016. Dicionário de Umbanda. São Paulo: Anúbis.
Fernandes, Sílvia. 2011. “Teatralidade e Performatividade na Cena Contemporânea”. Repertório 16: 11-23. Disponível em http://www.ppgac.tea.ufba.br/wp-content/uploads/2021/03/Linha-2.pdf.
Ligiéro, Zeca. 2011. Corpo a Corpo: Estudo das Performances Brasileiras. Rio de Janeiro: Garamond.
Lopes, Nei. 2004. Enciclopédia Brasileira da Diáspora Africana. São Paulo: Selo Negro.
McNamara, Brooks, e Barbara Kirshenblatt-Gimblett. 1985. “Processional Performance: an Introduction.” The Drama Review: TDR 29 (3): 2-5. http://www.jstor.org/stable/1145648.
Silva, Vagner Gonçalves. 2005. Candomblé e Umbanda: Caminhos da Devoção Brasileira. São Paulo: Selo Negro.
Trinchão, Gláucia Maria Costa (org.). 2015. Desenho, Moda & Cultura. Salvador: EUFBA.
Viana, Fausto, e Maria Cecília Amaral. 2020. “Entrevista com Vera Cristina Athayde, Pesquisadora e Professora da Oca Escola Cultural”. In Dos Bastidores eu Vejo o Mundo: Cenografia, Figurino, Maquiagem e Mais Vol. IV (Edição Especial de Folguedos), org. de Fausto Viana e Carolina Bassi de Moura, 288-311. São Paulo: ECA-USP.
Viana, Fausto, e Carolina Bassi de Moura (orgs.). 2014. Traje de Cena, Traje de Folguedo. São Paulo: Estação das Letras e Cores.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 RHINOCERVS: Cinema, Dança, Música, Teatro
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Articles published or submitted to RHINOCERVS: Cinema, Dança, Música, Teatro are licensed according to Creative Commons Attribution License (CC BY-NC 4.0). Authors agree that:
Copyrights of all articles published are retained by authors with first publication copyright granted to the journal.
All articles are under the Creative Commons Attribution License recognizing the authorship of the publication and identifying that first publication took place in this journal.
Authors have the right to free distribute or make available in private or institutional pages the version published by RHINOCERVS: Cinema, Dança, Música, Teatro provided the original proper citation.
The journal only accepts articles not published previously (except in the form of an abstract or as part of academic thesis), that it is not under consideration for publication elsewhere. After published, the article cannot be published again partial or totally without the editorial board consent.
