The image and its circumstances. Fragments of an (inevitably) unfinished story.

Authors

DOI:

https://doi.org/10.34629/cpublica.800

Keywords:

visual journalism, photojournalism, cinejournalism and telejournalism, RTP2, infographics

Abstract

Visual journalism in Portugal - contributions to a history is one of the cornerstones of one of the largest and most relevant research projects in the field of Communication Sciences carried out in the country in recent years: Towards a History of Journalism in Portugal, funded by the Foundation for Science and Technology (FCT). This work with an exceptional historical component, organized into four parts (photojournalism; cinejournalism and telejournalism; non-daily information on RTP2; journalistic infographics), combines and articulates empirical research techniques in nine chapters whose tone and narrative construction reflect the individuality of each author, being exemplary the care and accuracy with which data and facts are presented.

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Author Biography

  • Paula Lopes, Autónoma University of Lisbon – UAL

    She holds a PhD in Sociology from ISCTE-University Institute of Lisbon (FCT-funded). She is an Associate Professor at the Autónoma University of Lisbon (UAL) and Deputy Director of the Department of Communication Sciences at the same institution. She is the Scientific Coordinator of the bachelor's degree in Communication Sciences and the master's degree in Applied Communication, she is an integrated researcher at LabCom (Communication & Media Research Group), a collaborating researcher at the Center for Communication and Society Studies at the University of Minho (Media and Journalism Research Group), an associate researcher at OBSERVARE - UAL, and a lead researcher at NIP-C@M (Research Center for Media Practices and Skills) - UAL.

References

Berger, J. (1987). Modos de ver. Edições 70.

Campos, R. & Meirinho, D. (2019). Literacia visual. In R. Espanha & T. Lapa (Org.), Literacia dos novos media (pp. 103-123). Editora Mundos Sociais.

Freund, G. (1989). Fotografia e sociedade. Vega.

Gil, I. C. (2011). Literacia visual: Estudos sobre a inquietude das imagens. Edições 70.

Godinho, J. (2017). O «espetáculo do sigilo»: as imagens, a PIDE e o Tarrafal. In J. L. Garcia, T. Alves & Y. Léonard (Coord.), Salazar, o Estado Novo e os media (pp. 149-171). Edições 70.

Ryan, J. (2014). Introdução. Fotografia colonial. In F. Vicente (Ed.), O império da visão: Fotografia no contexto colonial português (1860-1960) (pp. 31-44). Edições 70.

Sontag, S. (1986). Ensaios sobre fotografia. Publicações Dom Quixote.

Sousa Lopes, A., Duarte, A. G., Cardoso, F. L., Godinho, J., Coutinho, M. C. & Mata, M. J. (2022). O jornalismo visual em Portugal – contributos para uma história. Instituto Politécnico de Lisboa.

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Published

2023-12-15

Issue

Vol. 18 No. 35 (2023): Number with Special Issue

Section

Reviews

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Copyright (c) 2023 Comunicação Pública

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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How to Cite

The image and its circumstances. Fragments of an (inevitably) unfinished story. (2023). Comunicação Pública, 18(35). https://doi.org/10.34629/cpublica.800