On advances and setbacks of the Portuguese documental photography and other reflections
DOI:
https://doi.org/10.34629/cpublica.772Keywords:
Cardoso, documental photography, photojournalism, journalism, photographic genresAbstract
In one of the rare works done in Portugal on documentary photography and photojournalism, Fátima Lopes Cardoso revisits central issues of the ontology of photography and its place in the journalistic press, articulating empirical experience with theory and interviews with photographers. The historical component of the work has as its main distinguishing feature the analysis of the last 40 years, marked by a brief golden era and subsequent crisis. For the author, the hope of documentary photography and photojournalism are the new media, as they involve photography, sound and video.
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References
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Cardoso, F.L. (2022). A fotografia documental na imprensa portuguesa: o real e o verosímil. Instituto Politécnico de Lisboa.
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Pledge, R. (1989). World Press Photo. 30 años de fotoperiodismo internacional. Museo Rufino Tamayo/ Consejo Nacional para la Cultura y las Artes-Instituto Nacional de Bellas Artes.
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